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The narrator, Montresor, opens the story by stating thathe has been irreparably insulted through his acquaintance, Fortunato,and the he looks for revenge. He desires to exact this revenge, however,in a measure way, there is no placing self at risk. He decides touse Fortunato’s fondness for wine versus him. Throughout the carnivalseason, Montresor, attract a mask of black color silk, ideologies Fortunato.He tells Fortunato that he has obtained something that might passfor Amontillado, a irradiate Spanish sherry. Fortunato (Italian for“fortunate”) attract the multicolored costume of the jester, includinga cone cap with bells. Montresor speak Fortunato the if that is toobusy, he will ask a male named Luchesi to taste it. Fortunato apparentlyconsiders Luchesi a competitor and claims the this man can nottell Amontillado native other types of sherry. Fortunato is anxiousto taste the wine and to recognize for Montresor whether or notit is important Amontillado. Fortunato insists the they walk to Montresor’s vaults.

Montresor has actually strategically planned because that this conference bysending his servants away to the carnival. The two males descend intothe wet vaults, which are covered v nitre, or saltpeter, a whitish mineral.Apparently aggravated by the nitre, Fortunato starts to cough. Thenarrator keeps offering to lug Fortunato back home, yet Fortunatorefuses. Instead, the accepts wine together the antidote to his cough.The men proceed to discover the deep vaults, i beg your pardon are complete of thedead bodies of the Montresor family. In solution to the crypts,Fortunato insurance claims to have forgotten Montresor’s family members coat the armsand motto. Montresor responds the his family shield portrays “ahuge human foot d’or, in a ar azure; the foot crushes a serpentrampant whose fangs space imbedded in the heel.” The motto, in Latin,is “nemo me impune lacessit,” that is, “no one assaults me through impunity.”

Later in your journey, Fortunato provides a hand movementthat is a mystery sign the the Masons, an exclusive fraternal organization. Montresordoes not acknowledge this hand signal, though he cases that that isa Mason. When Fortunato asks because that proof, Montresor reflects him histrowel, the implication being the Montresor is an yes, really stonemason.Fortunato states that he must be jesting, and also the two males continueonward. The men walk into a crypt, where human bones decorate threeof the 4 walls. The bones indigenous the fourth wall surface have been throwndown on the ground. ~ above the exposed wall surface is a little recess, whereMontresor speak Fortunato the the Amontillado is being stored.Fortunato, now greatly intoxicated, goes come the earlier of the recess.Montresor then unexpectedly chains the slow-footed Fortunato to a stone.

Taunting Fortunato through an market to leave, Montresor beginsto wall surface up the enntrance gate to this little crypt, thereby trapping Fortunato inside.Fortunato screams confusedly as Montresor builds the very first layerof the wall. The alcohol soon wears off and also Fortunato moans, terrifiedand helpless. As the layers continue to rise, though, Fortunatofalls silent. Simply as Montresor is around to finish, Fortunato laughsas if Montresor is play a joke on him, but Montresor is not joking.At last, ~ a final plea, “For the love that God, Montresor!” Fortunatostops comment Montresor, that then twice calls out his enemy’sname. After no response, Montresor insurance claims that his love feels sickbecause that the dampness of the catacombs. That fits the last stoneinto place and also plasters the wall surface closed, his actions accompaniedonly through the jingling the Fortunato’s bells. He ultimately repositionsthe skeleton on the 4th wall. For fifty years, he writes, no onehas disturbed them. He concludes through a Latin phrase an interpretation “Mayhe remainder in peace.”


The terror the “The Cask of Amontillado,” together in countless ofPoe’s tales, resides in the absence of proof that accompanies Montresor’sclaims to Fortunato’s “thousand injuries” and also “insult.” The storyfeatures revenge and mystery murder together a means to protect against using legalchannels for retribution. Legislation is nowhere on Montresor’s—or Poe’s—radar screen,and the enduring fear of the story is the reality of punishment withoutproof. Montresor supplies his subjective suffer of Fortunato’s insultto name himself judge, jury, and executioner in this tale, whichalso renders him an unreliable narrator. Montresor confesses thisstory fifty years after the occurrence; together a far-reaching passageof time in between the events and the narration the the events makesthe narrative all the an ext unreliable. Montresor’s unreliabilityoverrides the rational consideration of evidence, such as particularoccurrences of insult, that would necessarily precede any type of guilty sentencein a non-Poe world. “The Cask the Amontillado” takes spatu interpretation—thefact the different human being interpret the very same things differently—toits horrific endpoint.

Poe’s use of shade imagery is main to his questioningof Montresor’s motives. His face covered in a black color silk mask, Montresorrepresents not blind justice however rather that Gothic opposite: biased revenge.In contrast, Fortunato dons the motley-colored costume the the courtfool, who gets literally and tragically fooled by Montresor’s maskedmotives. The color schemes here represent the irony the Fortunato’sdeath sentence. Fortunato, Italian for “the fortunate one,” facesthe realization that also the carnival season deserve to be murderouslyserious. Montresor chooses the setup of the carnival for its abandonmentof society order. If the carnival usually indicates joyful socialinteraction, Montresor distorts its funny abandon, transforming the carnivalon that is head. The recurring allusions to the bones of Montresor’sfamily the line the vaults foreshadow the story’s descent intothe underworld. The 2 men’s underground travels space a metaphorfor their pilgrimage to hell.

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Due to the fact that the carnival, in the soil of theliving, go not occur as Montresor desires it to, that takes the carnivalbelow ground, to the kingdom of the dead and the satanic.