This exact replica of Rush"s 30th anniversary tourism kit is outstanding, albeit incredibly expensive£21999$30000
ByMusic Radar Team15 January 2008
There is no question that this is an outstanding, albeit very expensive, set of drums, and also it must be perceived as one experiment. The first R30 kit was fiendishly complex in design and execution. To then produce an additional 29 exact duplicates shows a desire for perfection bordering on masochistic. Everyone who added to this job deserves praise.
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DW"s R30 drum kit is specific replica the the kit the Neil Peart played throughout Rush"s 30th anniversary tour. Only 30 kit exist and also only one has actually made it to the UK. It prices a coin under 22 cool - there are still a few places wherein you can buy a residence for that. But we have the right to guess i beg your pardon you would certainly prefer...
Though Neil has been a DW endorsee for some years, a combination of the beginning of his Sabian example cymbals and also the 30th anniversary sirloin tour triggered him to engage John good of DW in a search for his "dream kit". The resulting extravaganza of toms, snares and also cymbals sports more gold 보다 a bling wedding and was explained by an excellent as "the hardest kit the I"ve ever made".
There is so much to the kit the this review have the right to only lay out an rundown of what £22K buys. A great place to start would be v the separation, personal, instance drums: 8"x7", 10"x7", 12"x8" and also 13"x9" toms; 15"x12", 15"x13", 16"x16" and 18"x16" floor toms; a 22"x16" bass drum; 3 snare drums - a 14"x6" brass/maple edge snare, a 14"x6 ½" maple solid ply model and also a 13"x3 ½" piccolo.
Accompanying the north is a full set of Sabian example cymbals, while all the hardware is gold-plated.
Though the kit is arranged in the form of a crescent whose points are practically within emotional distance, it is based about the acquainted blueprint of base drum, snare, one-up/two-down toms and floor toms. This central portion that the kit accounts because that the kick drum, one of the 14" snare drums, the 13" tom, the deeper of the 15" floor toms and also the 16" floor tom.
The three smaller toms room situated above the hi-hats, with the 8" and also 10" mounted at the very same angle when the 12" is a action down. Lower down to the left that the hi-hats is the much shorter 15" floor tom, a cluster of 5 LP cowbells and, beyond that, the 13" piccolo snare an installed incredibly high. The 18" floor tom is stand-mounted behind the player"s ideal shoulder (assuming the or she is dealing with forward), so the it leans end the 16" floor tom. Right here is no provision because that mounting the second 14" snare drum.
Neil Peart is a veteran of numerous halls, arenas and studios and has sensibly included the pair of 14" snares to market the choice, depending upon the location and also your inclination, in between two really different but equally superior instruments.
The cymbals are arranged roughly the kit in Neil"s desired manner. This is reasonably straightforward - the journey is come the appropriate of the bass drum, both chinas are hard right and also the 2 pairs the hi-hats are easily accessible for a top right-hand player - with the exception of the crashes and splashes to the left the the kit. Castle are an installed at rather a elevation in bespeak to provide clearance native the toms, therefore a particular amount of kit orientation and stretching is compelled to play aspects in this area cleanly.
The beginning point because that the building and construction of the drums was regular DW Collector"s collection maple drums, yet a couple of tweaks were applied. The first three toms space all a ply thicker in ~ eight plies to add three-ply reinforcing hoops. The remainder of the toms, floor toms and bass north revert to the normal seven plies plus three for the reinforcing hoops.
Up to and also including the very first 15" floor tom, the drums room all developed in the standard cross-laminated manner. From the second 15" floor tom downwards, the outer ply has actually been flipped so the the grain operation vertically. This is come encourage a deeper response without having to tune the heads down disproportionately. The within veneer on every one of the drums is exotic curly maple.
There is more to the end up than very first meets the eye. It to be incredibly facility to achieve, inquiry a 32-step process. The basis is a piano black color lacquer, in which countless individual dots of various colours are buried. To the nude eye they space invisible, however once under lamp they disclose themselves. The impact is like having thousands of LED"s burning far within the shells.
On top of the black lacquer re red pinstriped panels encircling the centre of each drum - a deliberate nod to Keith oon"s "Pictures of Lily" kit. Within each dashboard is a holographic depiction of artwork from miscellaneous Rush albums.
Anyone acquainted with Neil Peart"s play will understand that the draws from a vast palette. And so it is v this kit. Rattling about the toms brings forth a crescendo the tonal colours, from the timbalelike attack of the 8" tom come the taught, bass-y growl the the 18" floor tom.
All the toms are brimming v the type of vigour that enables them to job cleanly, and the response is quick, loud and also tinged through maple warmth.
The bass drum is own of the same sort of ballsy muscularity that powers the toms. In ~ its core is a deep, an effective note that could loosen stonework at 20 yards. The drum achieves this v the top at constant tensions, do it simple to play quick and complex figures.
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The three snare drums carry out contrasting options: the 14" edge is fat, crunchy and full of bite; the 14" solid covering maple has actually less depth than the Edge however a an ext immediate, funky tone; when the 13" piccolo it is intended tinnitus-inducing accents.